I presented this talk in November 2017, at the Berkeley I School PhD Research Reception. The talk discusses findings from 2 of our papers:
Richmond Y. Wong, Ellen Van Wyk and James Pierce. (2017). Real-Fictional Entanglements: Using Science Fiction and Design Fiction to Interrogate Sensing Technologies. In Proceedings of the ACM Conference on Designing Interactive Systems (DIS ’17). https://escholarship.org/uc/item/7r229796
Richmond Y. Wong, Deirdre K. Mulligan, Ellen Van Wyk, James Pierce and John Chuang. (2017). Eliciting Values Reflections by Engaging Privacy Futures Using Design Workbooks. Proceedings of the ACM Human Computer Interaction (CSCW 2018 Online First). 1, 2, Article 111 (November 2017), 27 pages. https://escholarship.org/uc/item/78c2802k
More about this project and some of the designs can be found here: biosense.berkeley.edu/projects/sci-fi-design-fiction/
This is part 3 in a 3 part series of posts based on work I presented at Designing Interactive Systems (DIS) this year on analyzing concept videos. Read part 1, part 2, or find out more about the project on the project page or download the full paper.
After doing a close reading and analyzing the concept videos for Google Glass (a pair of glasses with a heads up display) and Microsoft HoloLens (a pair of augmented reality goggles), we also looked at media reaction to these videos and these products’ announcements.
After both concept videos were released, media authors used the videos as a starting point to further imagine the future world with Glass and HoloLens, and the implications of living in those worlds. Yet they portrayed the future in two different ways: some discussed the future by critiquing the world depicted in the companies’ concept videos, while others accepted the depicted worlds. We distinguish between these two orientations, terming them speculative and anticipatory.
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